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My name is Andrew Conn, I am a sound editor, sound designer, re-recording mixer, and composer with 15 years of experience in operating, editing, and mixing in Pro Tools and composing in Logic Pro. I hold a degree in Contemporary Writing and Production from Berklee College of Music, which I earned in December of 2010. I recently completed an original score for an indie feature film called "Confluence" as well as a documentary feature called Unega: Tales of the Guardians. I also just finished the re-recording mix for a feature horror/thriller film called Followers. I acted as the supervising sound editor, dialogue editor, sound designer, and mixer for "Followers" while managing a team of three in order to complete the project on time for festival submissions. Followers is now streaming on Screambox and Amazon Prime. In the last few years I have also worked on various short films and ads as a sound editor, re-recording mixer, and or composer such as The Greys, Unremarkable, Quality Time, Fixer, Along Came Ruby. I have two features currently in post production that I will be working on so far this year one which I will be doing all sound editing, sound design, re-recording mix, and music composition. The other I will be doing all sound editing, sound design, and the re-recording mix. I thoroughly enjoy helping tell stories through sound and music by creating sonic landscapes that help propel a story forward and bring directors’ vision to life. I am familiar with appropriate broadcast and streaming levels for film, and creating final deliverables that include a full film mix stem, dialogue stem, music and effects stem, music stem, and SFX stem in surround.…My name is Andrew Conn, I am a sound editor, sound designer, re-recording mixer, and composer with 15 years of experience in operating, editing, and mixing in Pro Tools and composing in Logic Pro. I hold a degree in Contemporary Writing and Production from Berklee College of Music, which I earned in December of 2010. I recently completed an original score for an indie feature film called "Confluence" as well as a documentary feature called Unega: Tales of the Guardians. I also just finished the re-recording mix for a feature horror/thriller film called Followers. I acted as the supervising sound editor, dialogue editor, sound designer, and mixer for "Followers" while managing a team of three in order to complete the project on time for festival submissions. Followers is now streaming on Screambox and Amazon Prime. In the last few years I have also worked on various short films and ads as a sound editor, re-recording mixer, and or composer such as The Greys, Unremarkable, Quality Time, Fixer, Along Came Ruby. I have two features currently in post production that I will be working on so far this year one which I will be doing all sound editing, sound design, re-recording mix, and music composition. The other I will be doing all sound editing, sound design, and the re-recording mix. I thoroughly enjoy helping tell stories through sound and music by creating sonic landscapes that help propel a story forward and bring directors’ vision to life. I am familiar with appropriate broadcast and streaming levels for film, and creating final deliverables that include a full film mix stem, dialogue stem, music and effects stem, music stem, and SFX stem in surround.

AndrewConn

PRO

Music Composer, Film Composer, Audio Mixer, +2

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My name is Andrew Conn, I am a sound editor, sound designer, re-recording mixer, and composer with 15 years of experience in operating, editing, and mixing in Pro Tools and composing in Logic Pro. I hold a degree in Contemporary Writing and Production from Berklee College of Music, which I earned in December of 2010. I recently completed an original score for an indie feature film called "Confluence" as well as a documentary feature called Unega: Tales of the Guardians. I also just finished the re-recording mix for a feature horror/thriller film called Followers. I acted as the supervising sound editor, dialogue editor, sound designer, and mixer for "Followers" while managing a team of three in order to complete the project on time for festival submissions. Followers is now streaming on Screambox and Amazon Prime. In the last few years I have also worked on various short films and ads as a sound editor, re-recording mixer, and or composer such as The Greys, Unremarkable, Quality Time, Fixer, Along Came Ruby. I have two features currently in post production that I will be working on so far this year one which I will be doing all sound editing, sound design, re-recording mix, and music composition. The other I will be doing all sound editing, sound design, and the re-recording mix. I thoroughly enjoy helping tell stories through sound and music by creating sonic landscapes that help propel a story forward and bring directors’ vision to life. I am familiar with appropriate broadcast and streaming levels for film, and creating final deliverables that include a full film mix stem, dialogue stem, music and effects stem, music stem, and SFX stem in surround.…My name is Andrew Conn, I am a sound editor, sound designer, re-recording mixer, and composer with 15 years of experience in operating, editing, and mixing in Pro Tools and composing in Logic Pro. I hold a degree in Contemporary Writing and Production from Berklee College of Music, which I earned in December of 2010. I recently completed an original score for an indie feature film called "Confluence" as well as a documentary feature called Unega: Tales of the Guardians. I also just finished the re-recording mix for a feature horror/thriller film called Followers. I acted as the supervising sound editor, dialogue editor, sound designer, and mixer for "Followers" while managing a team of three in order to complete the project on time for festival submissions. Followers is now streaming on Screambox and Amazon Prime. In the last few years I have also worked on various short films and ads as a sound editor, re-recording mixer, and or composer such as The Greys, Unremarkable, Quality Time, Fixer, Along Came Ruby. I have two features currently in post production that I will be working on so far this year one which I will be doing all sound editing, sound design, re-recording mix, and music composition. The other I will be doing all sound editing, sound design, and the re-recording mix. I thoroughly enjoy helping tell stories through sound and music by creating sonic landscapes that help propel a story forward and bring directors’ vision to life. I am familiar with appropriate broadcast and streaming levels for film, and creating final deliverables that include a full film mix stem, dialogue stem, music and effects stem, music stem, and SFX stem in surround.

Available to hire

Sacramento, United States

My name is Andrew Conn, I am a sound editor, sound designer, re-recording mixer, and composer with 15 years of experience in operating, editing, and mixing in Pro Tools and composing in Logic Pro. I hold a degree in Contemporary Writing and Production from Berklee College of Music, which I earned in December of 2010.

I recently completed an original score for an indie feature film called “Confluence” as well as a documentary feature called Unega: Tales of the Guardians. I also just finished the re-recording mix for a feature horror/thriller film called Followers. I acted as the supervising sound editor, dialogue editor, sound designer, and mixer for “Followers” while managing a team of three in order to complete the project on time for festival submissions. Followers is now streaming on Screambox and Amazon Prime.

In the last few years I have also worked on various short films and ads as a sound editor, re-recording mixer, and or composer such as The Greys, Unremarkable, Quality Time, Fixer, Along Came Ruby.

I have two features currently in post production that I will be working on so far this year one which I will be doing all sound editing, sound design, re-recording mix, and music composition. The other I will be doing all sound editing, sound design, and the re-recording mix.

I thoroughly enjoy helping tell stories through sound and music by creating sonic landscapes that help propel a story forward and bring directors’ vision to life. I am familiar with appropriate broadcast and streaming levels for film, and creating final deliverables that include a full film mix stem, dialogue stem, music and effects stem, music stem, and SFX stem in surround.