I am Tommaso Massimiliano Alfì, a sound designer and composer based in Turin. I have extensive experience creating soundtracks and sound design for numerous films and short films. I have collaborated with directors and…I am Tommaso Massimiliano Alfì, a sound designer and composer based in Turin. I have extensive experience creating soundtracks and sound design for numerous films and short films. I have collaborated with directors and visual artists, crafting music and soundscapes showcased at festivals and galleries such as Artissima, Pav, and Como Contemporanea. As a graduate of the Centro Sperimentale di Cinematografia in Rome, I combine advanced technical skills with a deep narrative sensitivity, specializing in sound for cinema and visual arts.WWWI am Tommaso Massimiliano Alfì, a sound designer and composer based in Turin. I have extensive experience creating soundtracks and sound design for numerous films and short films. I have collaborated with directors and visual…
I am Tommaso Massimiliano Alfì, a sound designer and composer based in Turin. I have extensive experience creating soundtracks and sound design for numerous films and short films. I have collaborated with directors and visual artists, crafting music and soundscapes showcased at festivals and galleries such as Artissima, Pav, and Como Contemporanea. As a graduate of the Centro Sperimentale di Cinematografia in Rome, I combine advanced technical skills with a deep narrative sensitivity, specializing in…I am Tommaso Massimiliano Alfì, a sound designer and composer based in Turin. I have extensive experience creating soundtracks and sound design for numerous films and short films. I have collaborated with directors and visual artists, crafting music and soundscapes showcased at festivals and galleries such as Artissima, Pav, and Como Contemporanea. As a graduate of the Centro Sperimentale di Cinematografia in Rome, I combine advanced technical skills with a deep narrative sensitivity, specializing in sound for cinema and visual arts.WWWWI am Tommaso Massimiliano Alfì, a sound designer and composer based in Turin. I have extensive experience creating soundtracks and sound design for numerous films and short films. I have collaborated with directors and visual artists, crafting music and soundscapes showcased at festivals and galleries such as Artissima, Pav, and Como Contemporanea. As a graduate of the Centro Sperimentale di Cinematografia in Rome, I combine advanced technical skills with a deep narrative sensitivity, specializing in sou…
Available to hire
I am Tommaso Massimiliano Alfì, a sound designer and composer based in Turin. I have extensive experience creating soundtracks and sound design for numerous films and short films. I have collaborated with directors and visual artists, crafting music and soundscapes showcased at festivals and galleries such as Artissima, Pav, and Como Contemporanea. As a graduate of the Centro Sperimentale di Cinematografia in Rome, I combine advanced technical skills with a deep narrative sensitivity, specializing in sound for cinema and visual arts.
Skills
Experience Level
Ableton Live
Expert
Izotope Ozone
Expert
PreSonus Studio One
Expert
Soundtrack
Expert
Pro Tools
Expert
Language
Italian
Fluent
English
Advanced
French
Intermediate
Education
Bachelor at Csc-Centro Sperimentale di Cinematografia
September 1, 2022 - October 1, 2024Qualifications
Industry Experience
Media & Entertainment, Software & Internet
Sound Art
Music and Sound Art
Gerrit Rietveld Academie
Music and Sound Art Composition in Quadrophony
“Sound Installation” (Part of the artwork by artist Dariya Trubina)
Presented at the Gerrit Rietveld Academie, Amsterdam
Sound Art and Music Composition:
• Collaborated with artist to create an immersive sound installation that sonorized the room
in which her artwork was displayed.
• Produced and composed music and sound art for 6 speakers, with each speaker transmitting specific
frequencies of the composition, creating a unique spatial experience for the audience.
• The composition was based on my own sound research, incorporating the evolution and layering of various techniques, such as pulsar synthesis, granular synthesis, ambient, noise, and multiple layers of sampled voices from the artist.
• The music evolved over time, creating a dynamic and evolving sound experience that matched the theme of the installation.
Sound Spatialization:
• Employed advanced sound spatialization techniques using recent software developed by IRCAM, in
combination with Ableton Live and Max 8, to achieve an intricate and engaging spatial design.
• The sound design utilized…Music and Sound Art
Gerrit Rietveld Academie
Music and Sound Art Composition in Quadrophony
“Sound Installation” (Part of the artwork by artist Dariya Trubina)
Presented at the Gerrit Rietveld Academie, Amsterdam
Sound Art and Music Composition:
• Collaborated with artist to create an immersive sound installation that sonorized the room
in which her artwork was displayed.
• Produced and composed music and sound art for 6 speakers, with each speaker transmitting specific
frequencies of the composition, creating a unique spatial experience for the audience.
• The composition was based on my own sound research, incorporating the evolution and layering of various techniques, such as pulsar synthesis, granular synthesis, ambient, noise, and multiple layers of sampled voices from the artist.
• The music evolved over time, creating a dynamic and evolving sound experience that matched the theme of the installation.
Sound Spatialization:
• Employed advanced sound spatialization techniques using recent software developed by IRCAM, in
combination with Ableton Live and Max 8, to achieve an intricate and engaging spatial design.
• The sound design utilized modern electronic music techniques and was focused on creating a rich, evolving
soundscape that enveloped the room and responded dynamically to the space and the audience's movement.
• The installation was carefully designed to create a deep interaction between the audience and the artwork,
making the sound a fundamental part of the physical and emotional experience.WWWWWWWWMusic and Sound Art
Gerrit Rietveld Academie
Music and Sound Art Composition in Quadrophony
“Sound Installation” (Part of the artwork by artist Dariya Trubina)
Presented at the Gerrit Rietveld Academie, Amsterdam
Sound Art and Music Composition:
• Collaborated with artist to create an immersive sound installation that sonorized the room
in which her artwork was displayed.
• Produced and composed music and sound art for 6 speakers, with each speaker transmitting specific
frequencies of the composition, creating a unique spatial experience for the audience.
• The composition was based on my own sound research, incorporating the evolution and layering of various techniques, such as pulsar synthesis, granular synthesis, ambient, noise, and multiple layers of sampled voices from the artist.
• The music evolved over time, creating a dynamic and evolving sound experience that matched the theme of the installation.
Sound Spatialization:
• Employed advanced sound spatialization techniques using recent software developed by IRCAM, in
combination with Ableton Live and Max 8, to achieve an intricate and engaging spatial design.
• The sound design utilized mod…
Music and Sound Design
Music Composition and Sound Restoration:
• Composed the original electronic music score, using VSTs and synthesizers, primarily in Ableton Live, to evoke
the raw energy of the Himalayan climbing experience.
• Completely restored the documentary’s audio, which had been recorded with a low-quality camera, requiring
extensive noise reduction and audio restoration. Utilized tools like iZotope RX for sound repair and various
VST plugins to clean up the audio and rebuild it from scratch in certain instances.
• Applied sound design techniques to recreate a wide range of sounds, from the ambient environment to the
intense action of climbing, using sound libraries such as Boom Sound, Freesound, and SoundMorph.
• Created custom foley effects in the studio to enhance the realism of several key scenes.
• Restored and enhanced all dialogue to ensure clarity and consistency in the final audio mix.
Collaborative Sound Integration:
• Collaborated with the director to ensure the music and sound design accurately reflected the extreme environment of the documentary, maintaining a balance between the natural chaos of the Himalayan landscape and the human experience of the climbers.
Mixing…Music Composition and Sound Restoration:
• Composed the original electronic music score, using VSTs and synthesizers, primarily in Ableton Live, to evoke
the raw energy of the Himalayan climbing experience.
• Completely restored the documentary’s audio, which had been recorded with a low-quality camera, requiring
extensive noise reduction and audio restoration. Utilized tools like iZotope RX for sound repair and various
VST plugins to clean up the audio and rebuild it from scratch in certain instances.
• Applied sound design techniques to recreate a wide range of sounds, from the ambient environment to the
intense action of climbing, using sound libraries such as Boom Sound, Freesound, and SoundMorph.
• Created custom foley effects in the studio to enhance the realism of several key scenes.
• Restored and enhanced all dialogue to ensure clarity and consistency in the final audio mix.
Collaborative Sound Integration:
• Collaborated with the director to ensure the music and sound design accurately reflected the extreme environment of the documentary, maintaining a balance between the natural chaos of the Himalayan landscape and the human experience of the climbers.
Mixing and Final Sound Design:
• Mixed and mastered all audio elements in Pro Tools and Ableton Live, combining music, sound design, and
restored dialogue to achieve a professional-grade final mix that complemented the visual storytelling.WWWWWWWWMusic Composition and Sound Restoration:
• Composed the original electronic music score, using VSTs and synthesizers, primarily in Ableton Live, to evoke
the raw energy of the Himalayan climbing experience.
• Completely restored the documentary’s audio, which had been recorded with a low-quality camera, requiring
extensive noise reduction and audio restoration. Utilized tools like iZotope RX for sound repair and various
VST plugins to clean up the audio and rebuild it from scratch in certain instances.
• Applied sound design techniques to recreate a wide range of sounds, from the ambient environment to the
intense action of climbing, using sound libraries such as Boom Sound, Freesound, and SoundMorph.
• Created custom foley effects in the studio to enhance the realism of several key scenes.
• Restored and enhanced all dialogue to ensure clarity and consistency in the final audio mix.
Collaborative Sound Integration:
• Collaborated with the director to ensure the music and sound design accurately reflected the extreme environment of the documentary, maintaining a balance between the natural chaos of the Himalayan landscape and the human experience of the climbers.
Mixing an…
Music Composer, Sound Designer, Sound editor, Foley artist Lumpen Station
Sound Designer, Music Supervisor, and Composer for the radio drama Unreliable Object
• Full sound production: Managed all aspects of the audio production, including on-set recording, foley creation, and voice-over recording for the main actress, ensuring crystal-clear quality for a fully immersive audio experience.
• Music composition and supervision: Composed the original soundtrack and curated independent, non- mainstream music for specific scenes, such as the moment the character turns on the radio. This artistic choice emphasized the unique identity of the narrative and avoided conventional mainstream selections.
• Creative sound design: Developed special sound effects through advanced techniques, including granular synthesis, FM synthesis, and contemporary sound modeling. Crafted immersive sonic environments and effects that substituted visual elements, enhancing the narrative impact.
• Artistic direction of sound editing: Led the entire audio montage process, ensuring a coherent artistic vision
and seamless integration of voice, music, and effects.
• Mixing and mastering: Delivered a AAA-quality audio mix using Pro Tools, Universal Audio,…Sound Designer, Music Supervisor, and Composer for the radio drama Unreliable Object
• Full sound production: Managed all aspects of the audio production, including on-set recording, foley creation, and voice-over recording for the main actress, ensuring crystal-clear quality for a fully immersive audio experience.
• Music composition and supervision: Composed the original soundtrack and curated independent, non- mainstream music for specific scenes, such as the moment the character turns on the radio. This artistic choice emphasized the unique identity of the narrative and avoided conventional mainstream selections.
• Creative sound design: Developed special sound effects through advanced techniques, including granular synthesis, FM synthesis, and contemporary sound modeling. Crafted immersive sonic environments and effects that substituted visual elements, enhancing the narrative impact.
• Artistic direction of sound editing: Led the entire audio montage process, ensuring a coherent artistic vision
and seamless integration of voice, music, and effects.
• Mixing and mastering: Delivered a AAA-quality audio mix using Pro Tools, Universal Audio, FabFilter, iZoto
pe, and other industry-standard tools, achieving cinematic-level sound quality for the dramaWWWWWWWWSound Designer, Music Supervisor, and Composer for the radio drama Unreliable Object
• Full sound production: Managed all aspects of the audio production, including on-set recording, foley creation, and voice-over recording for the main actress, ensuring crystal-clear quality for a fully immersive audio experience.
• Music composition and supervision: Composed the original soundtrack and curated independent, non- mainstream music for specific scenes, such as the moment the character turns on the radio. This artistic choice emphasized the unique identity of the narrative and avoided conventional mainstream selections.
• Creative sound design: Developed special sound effects through advanced techniques, including granular synthesis, FM synthesis, and contemporary sound modeling. Crafted immersive sonic environments and effects that substituted visual elements, enhancing the narrative impact.
• Artistic direction of sound editing: Led the entire audio montage process, ensuring a coherent artistic vision
and seamless integration of voice, music, and effects.
• Mixing and mastering: Delivered a AAA-quality audio mix using Pro Tools, Universal Audio, FabFilter,…
Music Composer, Sound Designer
Music Composer and Orchestrator for the original soundtrack of the short film Once and For All
• Music composition and orchestration: Composed and orchestrated an original score blending VST acoustic
instruments with a live string quartet to reflect the historical setting of the film, which takes place during the
Fascist era.
• Historical authenticity: Focused on creating a soundtrack with acoustic tones and arrangements that
matched the cultural atmosphere of the 20th-century setting.
• Tight deadlines: Delivered the complete score on a strict schedule while maintaining the highest cinematic
standards.
• Collaborative approach: Worked closely with the director through multiple creative meetings to align the
musical tone with the film’s narrative and visual style.
• Mixing and mastering: Personally mixed the score, utilizing Pro Tools and industry-standard plugins such as
Universal Audio, FabFilter, and iZotope to achieve a polished, AAA-quality audio track.
• Presentation: The short film was showcased at the P.A.V. – Parco d’Arte Vivente in TurinMusic Composer and Orchestrator for the original soundtrack of the short film Once and For All
• Music composition and orchestration: Composed and orchestrated an original score blending VST acoustic
instruments with a live string quartet to reflect the historical setting of the film, which takes place during the
Fascist era.
• Historical authenticity: Focused on creating a soundtrack with acoustic tones and arrangements that
matched the cultural atmosphere of the 20th-century setting.
• Tight deadlines: Delivered the complete score on a strict schedule while maintaining the highest cinematic
standards.
• Collaborative approach: Worked closely with the director through multiple creative meetings to align the
musical tone with the film’s narrative and visual style.
• Mixing and mastering: Personally mixed the score, utilizing Pro Tools and industry-standard plugins such as
Universal Audio, FabFilter, and iZotope to achieve a polished, AAA-quality audio track.
• Presentation: The short film was showcased at the P.A.V. – Parco d’Arte Vivente in TurinWWWWWWWWMusic Composer and Orchestrator for the original soundtrack of the short film Once and For All
• Music composition and orchestration: Composed and orchestrated an original score blending VST acoustic
instruments with a live string quartet to reflect the historical setting of the film, which takes place during the
Fascist era.
• Historical authenticity: Focused on creating a soundtrack with acoustic tones and arrangements that
matched the cultural atmosphere of the 20th-century setting.
• Tight deadlines: Delivered the complete score on a strict schedule while maintaining the highest cinematic
standards.
• Collaborative approach: Worked closely with the director through multiple creative meetings to align the
musical tone with the film’s narrative and visual style.
• Mixing and mastering: Personally mixed the score, utilizing Pro Tools and industry-standard plugins such as
Universal Audio, FabFilter, and iZotope to achieve a polished, AAA-quality audio track.
• Presentation: The short film was showcased at the P.A.V. – Parco d’Arte Vivente in Turin
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