๐ŸŽฌ ๐—–๐—ฟ๐—ฒ๐—ฎ๐˜๐—ถ๐˜ƒ๐—ฒ ๐—ฉ๐—ถ๐—ฑ๐—ฒ๐—ผ ๐—˜๐—ฑ๐—ถ๐˜๐—ถ๐—ป๐—ด ๐——๐—ถ๐—ฟ๐—ฒ๐—ฐ๐˜๐—ผ๐—ฟ with 4+ years of experience in commercial and social media content production. I identify clientโ€™s needs in the field of content creation, and direct the process of bringing the high-quality product to life, with an average ๐—ฟ๐—ฒ๐˜๐—ฒ๐—ป๐˜๐—ถ๐—ผ๐—ป ๐—ฟ๐—ฎ๐˜๐—ฒ ๐—ผ๐—ณ ๐Ÿณ๐Ÿญ%, which is 23% more than industry medium. ๐ŸŽจSome examples of my works include: ๐ŸŽž Led a production ๐˜๐—ฒ๐—ฎ๐—บ ๐—ผ๐—ณ ๐Ÿญ๐Ÿฎ ๐—ฝ๐—ฒ๐—ผ๐—ฝ๐—น๐—ฒ including: editors, VFX specialists, sound designers and voice over artists for a Production Agency in 2020 for multiple projects. As well as being a mentor for a group of young editors. ๐ŸŽž Have edited short-form commercials for Ford, Trevor Project and 2GIS as a part of a production team. ๐ŸŽž Have directed and edited 40+ unique commercials, for both small local brands and big corporations, that have engaged a total of ๐—ผ๐˜ƒ๐—ฒ๐—ฟ ๐Ÿฎ๐Ÿฌ ๐—บ๐—ถ๐—น๐—น๐—ถ๐—ผ๐—ป ๐—ฝ๐—ฒ๐—ผ๐—ฝ๐—น๐—ฒ. ๐Ÿ˜€ Iโ€™m constantly looking for new and exciting projects, so feel free to reach out. Cheers!โ€ฆ

MaxVolkomirov

๎˜‚๎˜‚
๎˜‚๎˜‚
๎˜‚๎˜‚
๎˜‚๎˜‚
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๐ŸŽฌ ๐—–๐—ฟ๐—ฒ๐—ฎ๐˜๐—ถ๐˜ƒ๐—ฒ ๐—ฉ๐—ถ๐—ฑ๐—ฒ๐—ผ ๐—˜๐—ฑ๐—ถ๐˜๐—ถ๐—ป๐—ด ๐——๐—ถ๐—ฟ๐—ฒ๐—ฐ๐˜๐—ผ๐—ฟ with 4+ years of experience in commercial and social media content production. I identify clientโ€™s needs in the field of content creation, and direct the process of bringing the high-quality product to life, with an average ๐—ฟ๐—ฒ๐˜๐—ฒ๐—ป๐˜๐—ถ๐—ผ๐—ป ๐—ฟ๐—ฎ๐˜๐—ฒ ๐—ผ๐—ณ ๐Ÿณ๐Ÿญ%, which is 23% more than industry medium. ๐ŸŽจSome examples of my works include: ๐ŸŽž Led a production ๐˜๐—ฒ๐—ฎ๐—บ ๐—ผ๐—ณ ๐Ÿญ๐Ÿฎ ๐—ฝ๐—ฒ๐—ผ๐—ฝ๐—น๐—ฒ including: editors, VFX specialists, sound designers and voice over artists for a Production Agency in 2020 for multiple projects. As well as being a mentor for a group of young editors. ๐ŸŽž Have edited short-form commercials for Ford, Trevor Project and 2GIS as a part of a production team. ๐ŸŽž Have directed and edited 40+ unique commercials, for both small local brands and big corporations, that have engaged a total of ๐—ผ๐˜ƒ๐—ฒ๐—ฟ ๐Ÿฎ๐Ÿฌ ๐—บ๐—ถ๐—น๐—น๐—ถ๐—ผ๐—ป ๐—ฝ๐—ฒ๐—ผ๐—ฝ๐—น๐—ฒ. ๐Ÿ˜€ Iโ€™m constantly looking for new and exciting projects, so feel free to reach out. Cheers!โ€ฆ

Available to hire

๐ŸŽฌ ๐—–๐—ฟ๐—ฒ๐—ฎ๐˜๐—ถ๐˜ƒ๐—ฒ ๐—ฉ๐—ถ๐—ฑ๐—ฒ๐—ผ ๐—˜๐—ฑ๐—ถ๐˜๐—ถ๐—ป๐—ด ๐——๐—ถ๐—ฟ๐—ฒ๐—ฐ๐˜๐—ผ๐—ฟ with 4+ years of experience in commercial and social media content production. I identify clientโ€™s needs in the field of content creation, and direct the process of bringing the high-quality product to life, with an average ๐—ฟ๐—ฒ๐˜๐—ฒ๐—ป๐˜๐—ถ๐—ผ๐—ป ๐—ฟ๐—ฎ๐˜๐—ฒ ๐—ผ๐—ณ ๐Ÿณ๐Ÿญ%, which is 23% more than industry medium.

๐ŸŽจSome examples of my works include:

๐ŸŽž Led a production ๐˜๐—ฒ๐—ฎ๐—บ ๐—ผ๐—ณ ๐Ÿญ๐Ÿฎ ๐—ฝ๐—ฒ๐—ผ๐—ฝ๐—น๐—ฒ including: editors, VFX specialists, sound designers and voice over artists for a Production Agency in 2020 for multiple projects. As well as being a mentor for a group of young editors.

๐ŸŽž Have edited short-form commercials for Ford, Trevor Project and 2GIS as a part of a production team.

๐ŸŽž Have directed and edited 40+ unique commercials, for both small local brands and big corporations, that have engaged a total of ๐—ผ๐˜ƒ๐—ฒ๐—ฟ ๐Ÿฎ๐Ÿฌ ๐—บ๐—ถ๐—น๐—น๐—ถ๐—ผ๐—ป ๐—ฝ๐—ฒ๐—ผ๐—ฝ๐—น๐—ฒ.

๐Ÿ˜€ Iโ€™m constantly looking for new and exciting projects, so feel free to reach out. Cheers!

See more

Skills

Fr
Freelance Gig
AI
AI Collection (Audio)
AI
AI Collection (Video)
AI
AI Data Labelling

Experience Level

Freelance Gig
Expert
AI Collection (Audio)
Beginner
AI Collection (Video)
Beginner
AI Data Labelling
Beginner

Language

English
Fluent
Russian
Fluent
French
Beginner

Education

Bachelor in Marketing at HSE - Higher School of Economics
September 1, 2019 - March 1, 2022

Qualifications

Best Commercial Video Editing 2020 Award
April 7, 2020 - April 7, 2020
For the submitted Ford commercial to OVF Festival I, as a part of a team, have received "Best Commercial Video Editing" award for the year of 2020.

Industry Experience

Media & Entertainment
    uniE608 Dynamic Reel
    video explainervideo advert videoeditor A dynamic reel that acts as a scroll-stopper and long-form redirect.โ€ฆ
    uniE608 Behind The Scenes - Mandalorian Season 1
    video videoeditor documentary filmeditor movieeditor This passion project was edited and directed solely by me, together with color correction, sound editing and music editing.โ€ฆ
    uniE608 Ford F-150 Lightning - Passion Project Commercial
    This video was a passions project created by a production team where I had a role of Video Editing Director. The footage was gathered from a free media.ford.com source and later sent to Ford Motors marketing department, which got a response with a proposal of similar payed project. The music is a licensed track from Epidemic Sound. video videoeditor advert videoediting Sound is a half of every video. The viewer is not always really watching the video but can always sense it. That's why for this project we used more than a hundred separate sound effects. From water or dirt splashes to space comet flying by and a lion roaring. We got them from our friends at Epidemic Sound.โ€ฆ
    uniE608 l'art Lighting Commercial - vol.1
    l'art is an Australian company that produces lighting for art galleries. This series of videos was created as a marketing video plus content for their website. The main inspiration for this series of videos came from the "Master Class" youtube channel, which has both amazing works with music and motion graphics style. Music and SFX - Epidemic Sound, initial motion graphic template - Morion Array. I wasn't the one shooting the videos, however both the directing and the editing was done by me. video advert videoeditor videoediting videoeditingdirectingโ€ฆ
    uniE608 Kenny Williams - Street Cop 2021
    A project for Street Cop Conference in 2021. Presenter for the keynote instructor Kenny Williams, a Police Officer also known as Red Ninja. The request was for it to both look dynamic and 'movie trailer-like'. My role here was a Video Editing Director. video videoeditor advert videography videoeditingโ€ฆ
    uniE608 Ford Mustang Mach-E Commercial
    For a long time I had an idea to cerate a cyberpunk-style car commercial and finally this day came true. The music track used in this video was done by talented guys from Infraction, and the moment I heard it - I knew it was exactly what I needed. A mix of neon cyberpunk feeling and a modern dynamic style was a great fit for the narrative of this commercial. The undisputed strong sides here are color grading, sound design and seamless transitions. For me it is a great example of both the dynamic pacing and short video length. The video was made for a London based Ford Edgware dealership using footages from ford.media.com by a production team. In this project my role was a Video Editing Director. video advert videoeditor videoediting videographyโ€ฆ
    uniE608 Highelander Coffee Commercial
    I've always been a fan of advertisements of coffee shops and restaurants, they seemed so cozy and inviting, sometimes even friendly. So I wanted to see whether I can create my own "coffee commercial" with the tools that I have and the limitations they bring. One of my personal goals was to see if I can match completely different types of stock footage using color correction and make it seamless. The work isn't flawless, however the result works for me. I'm a video editing director, so it's relevant to point out that I didn't shoot the footage, it's all different types of stock. Here I'm showcasing my editing skills. video advert videoeditor videoediting videoeditingdirectorโ€ฆ

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