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Working on Pop and Hip-Hop multi-platinum projects for Young Thug, 21 Savage, Enrique Iglesias, Jessie Murph, and on films like Deadpool, and for brands like Tom Ford and Shiseido, has led me to a fulfilling career in mixing and mastering Grammy Nominated & Multi-platinum records. My goal is simple: TO CONTRIBUTE TO YOUR DREAMS BY CREATING WORK DRIVEN BY EMPATHY AND THAT IMPACTS OUR CULTURE. After moving from Bogotá to NYC, I was mentored by Mark Christensen from 2011 to 2013, mastering for artists like Robin Schulz (Grammy-nominated Remix of 'Waves'), Trey Songz, and 50 Cent. After lockdown, driven by a deep desire to connect with people, I joined mixer Alex Tumay to assist on releases for acts like Jessie Murph, 21 Savage, and Young Thug.   I now have transitioned from working in commercial studios serving label clients to running my own studio with a modern workflow. This approach lets me prioritize independent artists, offer flexible, budget-friendly services, and maintain a full schedule that keeps the fire burning. Working tirelessly in commercial studios since 2011 and surrounded by Grammy-winning engineers, inspired me to focus exclusively on Stereo + ATMOS Mixing and Mastering. I've been privileged to engineer for 400+ production teams worldwide, release my own records, and coach 100+ students on how to do the same, all of which underscored the importance of genuine creative connection to craft songs that win fans.   My client, Prohaize, once said: "Contact Nacor for life-changing studio & engineering skills. He's incredible." If you’re ready, I would love to hear your goals when inquiring—I’m here to help.  …Working on Pop and Hip-Hop multi-platinum projects for Young Thug, 21 Savage, Enrique Iglesias, Jessie Murph, and on films like Deadpool, and for brands like Tom Ford and Shiseido, has led me to a fulfilling career in mixing and mastering Grammy Nominated & Multi-platinum records. My goal is simple: TO CONTRIBUTE TO YOUR DREAMS BY CREATING WORK DRIVEN BY EMPATHY AND THAT IMPACTS OUR CULTURE. After moving from Bogotá to NYC, I was mentored by Mark Christensen from 2011 to 2013, mastering for artists like Robin Schulz (Grammy-nominated Remix of 'Waves'), Trey Songz, and 50 Cent. After lockdown, driven by a deep desire to connect with people, I joined mixer Alex Tumay to assist on releases for acts like Jessie Murph, 21 Savage, and Young Thug.   I now have transitioned from working in commercial studios serving label clients to running my own studio with a modern workflow. This approach lets me prioritize independent artists, offer flexible, budget-friendly services, and maintain a full schedule that keeps the fire burning. Working tirelessly in commercial studios since 2011 and surrounded by Grammy-winning engineers, inspired me to focus exclusively on Stereo + ATMOS Mixing and Mastering. I've been privileged to engineer for 400+ production teams worldwide, release my own records, and coach 100+ students on how to do the same, all of which underscored the importance of genuine creative connection to craft songs that win fans.   My client, Prohaize, once said: "Contact Nacor for life-changing studio & engineering skills. He's incredible." If you’re ready, I would love to hear your goals when inquiring—I’m here to help.  

Nacor Zuluaga

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Working on Pop and Hip-Hop multi-platinum projects for Young Thug, 21 Savage, Enrique Iglesias, Jessie Murph, and on films like Deadpool, and for brands like Tom Ford and Shiseido, has led me to a fulfilling career in mixing and mastering Grammy Nominated & Multi-platinum records. My goal is simple: TO CONTRIBUTE TO YOUR DREAMS BY CREATING WORK DRIVEN BY EMPATHY AND THAT IMPACTS OUR CULTURE. After moving from Bogotá to NYC, I was mentored by Mark Christensen from 2011 to 2013, mastering for artists like Robin Schulz (Grammy-nominated Remix of 'Waves'), Trey Songz, and 50 Cent. After lockdown, driven by a deep desire to connect with people, I joined mixer Alex Tumay to assist on releases for acts like Jessie Murph, 21 Savage, and Young Thug.   I now have transitioned from working in commercial studios serving label clients to running my own studio with a modern workflow. This approach lets me prioritize independent artists, offer flexible, budget-friendly services, and maintain a full schedule that keeps the fire burning. Working tirelessly in commercial studios since 2011 and surrounded by Grammy-winning engineers, inspired me to focus exclusively on Stereo + ATMOS Mixing and Mastering. I've been privileged to engineer for 400+ production teams worldwide, release my own records, and coach 100+ students on how to do the same, all of which underscored the importance of genuine creative connection to craft songs that win fans.   My client, Prohaize, once said: "Contact Nacor for life-changing studio & engineering skills. He's incredible." If you’re ready, I would love to hear your goals when inquiring—I’m here to help.  …Working on Pop and Hip-Hop multi-platinum projects for Young Thug, 21 Savage, Enrique Iglesias, Jessie Murph, and on films like Deadpool, and for brands like Tom Ford and Shiseido, has led me to a fulfilling career in mixing and mastering Grammy Nominated & Multi-platinum records. My goal is simple: TO CONTRIBUTE TO YOUR DREAMS BY CREATING WORK DRIVEN BY EMPATHY AND THAT IMPACTS OUR CULTURE. After moving from Bogotá to NYC, I was mentored by Mark Christensen from 2011 to 2013, mastering for artists like Robin Schulz (Grammy-nominated Remix of 'Waves'), Trey Songz, and 50 Cent. After lockdown, driven by a deep desire to connect with people, I joined mixer Alex Tumay to assist on releases for acts like Jessie Murph, 21 Savage, and Young Thug.   I now have transitioned from working in commercial studios serving label clients to running my own studio with a modern workflow. This approach lets me prioritize independent artists, offer flexible, budget-friendly services, and maintain a full schedule that keeps the fire burning. Working tirelessly in commercial studios since 2011 and surrounded by Grammy-winning engineers, inspired me to focus exclusively on Stereo + ATMOS Mixing and Mastering. I've been privileged to engineer for 400+ production teams worldwide, release my own records, and coach 100+ students on how to do the same, all of which underscored the importance of genuine creative connection to craft songs that win fans.   My client, Prohaize, once said: "Contact Nacor for life-changing studio & engineering skills. He's incredible." If you’re ready, I would love to hear your goals when inquiring—I’m here to help.  

Available to hire

Working on Pop and Hip-Hop multi-platinum projects for Young Thug, 21 Savage, Enrique Iglesias, Jessie Murph, and on films like Deadpool, and for brands like Tom Ford and Shiseido, has led me to a fulfilling career in mixing and mastering Grammy Nominated & Multi-platinum records.

My goal is simple: TO CONTRIBUTE TO YOUR DREAMS BY CREATING WORK DRIVEN BY EMPATHY AND THAT IMPACTS OUR CULTURE.

After moving from Bogotá to NYC, I was mentored by Mark Christensen from 2011 to 2013, mastering for artists like Robin Schulz (Grammy-nominated Remix of ‘Waves’), Trey Songz, and 50 Cent. After lockdown, driven by a deep desire to connect with people, I joined mixer Alex Tumay to assist on releases for acts like Jessie Murph, 21 Savage, and Young Thug.

I now have transitioned from working in commercial studios serving label clients to running my own studio with a modern workflow. This approach lets me prioritize independent artists, offer flexible, budget-friendly services, and maintain a full schedule that keeps the fire burning.

Working tirelessly in commercial studios since 2011 and surrounded by Grammy-winning engineers, inspired me to focus exclusively on Stereo + ATMOS Mixing and Mastering. I’ve been privileged to engineer for 400+ production teams worldwide, release my own records, and coach 100+ students on how to do the same, all of which underscored the importance of genuine creative connection to craft songs that win fans.

My client, Prohaize, once said: “Contact Nacor for life-changing studio & engineering skills. He’s incredible.” If you’re ready, I would love to hear your goals when inquiring—I’m here to help.