As a visual media composer, I have developed a style rooted in sound experimentation, where I manipulate everything from synthesisers to orchestras to create new sound experiences. I start every project with creative research, seeking to uncover the micro-stories within the broader narrative; studying every detail that makes up the essence of a story. I then build a library of sounds, creating a base for experimentation that can challenge conventional boundaries. Through my experimental practice, I blend sound design and composition techniques, blurring diegetic and nondiegetic elements in film, thus crafting new soundscapes that push the impact of any image further. Inspiration wise, I am like a sponge, drawing on all of my immediate and non immediate experiences, and catching on others’ feelings, like they were mine. I have been an explorer of cinema and music since my early years, which has allowed me to surround myself with similarly sensitive artists, who broaden my own understanding of everything I take in. With a foundational background in Electronic Music Production, which I learned at Catalyst in Berlin and a master’s degree in Composition for Film and TV from the London College of Music, I have accumulated a unique knowledge base. Over the years, I’ve worked with numerous bands, such as Les Pleureuses, and developed my own projects, ranging from experimental foley music to classical folk. In Berlin, I worked on a variety of short films, but it was in London that I truly evolved as a visual media composer. Today, I am actively composing for film, theatre, art installations, and for my own cinematic music performances. I thrive on collaboration with other artists, and overcoming creative challenges together. I want to inspire in the same way that I want to be inspired. I listen in the same way that I want to be heard. I adapt to every project’s needs and find joy in taking on new artistic adventures. I aspire to be part of a new wave in cinema and sound, where sound is no longer merely complimenting images, but rather pushing it into uncharted territories. With the right collaborations, technology, and resources, we can craft art that can take us into a better human future - a crucial mission in today's harsh realities.…As a visual media composer, I have developed a style rooted in sound experimentation, where I manipulate everything from synthesisers to orchestras to create new sound experiences. I start every project with creative research, seeking to uncover the micro-stories within the broader narrative; studying every detail that makes up the essence of a story. I then build a library of sounds, creating a base for experimentation that can challenge conventional boundaries. Through my experimental practice, I blend sound design and composition techniques, blurring diegetic and nondiegetic elements in film, thus crafting new soundscapes that push the impact of any image further. Inspiration wise, I am like a sponge, drawing on all of my immediate and non immediate experiences, and catching on others’ feelings, like they were mine. I have been an explorer of cinema and music since my early years, which has allowed me to surround myself with similarly sensitive artists, who broaden my own understanding of everything I take in. With a foundational background in Electronic Music Production, which I learned at Catalyst in Berlin and a master’s degree in Composition for Film and TV from the London College of Music, I have accumulated a unique knowledge base. Over the years, I’ve worked with numerous bands, such as Les Pleureuses, and developed my own projects, ranging from experimental foley music to classical folk. In Berlin, I worked on a variety of short films, but it was in London that I truly evolved as a visual media composer. Today, I am actively composing for film, theatre, art installations, and for my own cinematic music performances. I thrive on collaboration with other artists, and overcoming creative challenges together. I want to inspire in the same way that I want to be inspired. I listen in the same way that I want to be heard. I adapt to every project’s needs and find joy in taking on new artistic adventures. I aspire to be part of a new wave in cinema and sound, where sound is no longer merely complimenting images, but rather pushing it into uncharted territories. With the right collaborations, technology, and resources, we can craft art that can take us into a better human future - a crucial mission in today's harsh realities.WWWW…