Eric is a highly accomplished cinematographer with a global career spanning film, television, commercials, and documentaries. As a Full Member of the Canadian Society of Cinematographers (CSC) and an Accredited Member of the Malaysian Society of Cinematographers (MYSC), he has earned recognition for his expertise and contributions to the craft. With a proven track record in creating compelling visual concepts for feature films, commercials, music videos, and documentaries, Eric is renowned for his innovative lighting techniques that elevate the overall visual quality of his projects. He is also adept at managing diverse teams of camera operators, grips, and lighting technicians, ensuring smooth production workflows and exceptional final results. Eric’s collaborative approach enables him to work seamlessly with directors, producers, and technical crews, successfully translating creative visions into visually stunning outcomes. His work consistently reflects a deep understanding of cinematic artistry and technical precision.…Eric is a highly accomplished cinematographer with a global career spanning film, television, commercials, and documentaries. As a Full Member of the Canadian Society of Cinematographers (CSC) and an Accredited Member of the Malaysian Society of Cinematographers (MYSC), he has earned recognition for his expertise and contributions to the craft. With a proven track record in creating compelling visual concepts for feature films, commercials, music videos, and documentaries, Eric is renowned for his innovative lighting techniques that elevate the overall visual quality of his projects. He is also adept at managing diverse teams of camera operators, grips, and lighting technicians, ensuring smooth production workflows and exceptional final results. Eric’s collaborative approach enables him to work seamlessly with directors, producers, and technical crews, successfully translating creative visions into visually stunning outcomes. His work consistently reflects a deep understanding of cinematic artistry and technical precision.WWW…
Eric is a highly accomplished cinematographer with a global career spanning film, television, commercials, and documentaries. As a Full Member of the Canadian Society of Cinematographers (CSC) and an Accredited Member of the Malaysian Society of Cinematographers (MYSC), he has earned recognition for his expertise and contributions to the craft. With a proven track record in creating compelling visual concepts for feature films, commercials, music videos, and documentaries, Eric is renowned for his innovative lighting techniques that elevate the overall visual quality of his projects. He is also adept at managing diverse teams of camera operators, grips, and lighting technicians, ensuring smooth production workflows and exceptional final results. Eric’s collaborative approach enables him to work seamlessly with directors, producers, and technical crews, successfully translating creative visions into visually stunning outcomes. His work consistently reflects a deep understanding of cinematic artistry and technical precision.…Eric is a highly accomplished cinematographer with a global career spanning film, television, commercials, and documentaries. As a Full Member of the Canadian Society of Cinematographers (CSC) and an Accredited Member of the Malaysian Society of Cinematographers (MYSC), he has earned recognition for his expertise and contributions to the craft. With a proven track record in creating compelling visual concepts for feature films, commercials, music videos, and documentaries, Eric is renowned for his innovative lighting techniques that elevate the overall visual quality of his projects. He is also adept at managing diverse teams of camera operators, grips, and lighting technicians, ensuring smooth production workflows and exceptional final results. Eric’s collaborative approach enables him to work seamlessly with directors, producers, and technical crews, successfully translating creative visions into visually stunning outcomes. His work consistently reflects a deep understanding of cinematic artistry and technical precision.WWWW…
Available to hire
Eric is a highly accomplished cinematographer with a global career spanning film, television, commercials, and documentaries. As a Full Member of the Canadian Society of Cinematographers (CSC) and an Accredited Member of the Malaysian Society of Cinematographers (MYSC), he has earned recognition for his expertise and contributions to the craft.
With a proven track record in creating compelling visual concepts for feature films, commercials, music videos, and documentaries, Eric is renowned for his innovative lighting techniques that elevate the overall visual quality of his projects. He is also adept at managing diverse teams of camera operators, grips, and lighting technicians, ensuring smooth production workflows and exceptional final results.
Eric’s collaborative approach enables him to work seamlessly with directors, producers, and technical crews, successfully translating creative visions into visually stunning outcomes. His work consistently reflects a deep understanding of cinematic artistry and technical precision.
Skills
Co
Fe
Mu
Pr
Pr
See more
Experience Level
Corporate Video
Expert
Feature
Expert
Music Video
Expert
Product Video
Expert
Promo Video
Expert
Short Film
Expert
Video Advert
Expert
Branding
Expert
Stop Motion
Expert
Facebook Ads
Expert
Microsoft Office
Expert
Pitch Deck
Expert
Affinity Photo for iPad
Intermediate
Affinity Designer for iPad
Beginner
DaVinci Resolve Studio
Beginner
Language
English
Fluent
Spanish; Castilian
Beginner
Malay
Intermediate
Chinese
Intermediate
Education
Bachelor of Fine Arts; Film at Ryerson University
September 8, 1992 - June 14, 1996Bachelor of Fine Arts (Honours) in Film Studies and Production
ASC Masterclass at American Society of Cinematographers
September 26, 2016 - April 29, 2016The ASC Master Class is an intensive, advanced five-day seminar on cinematography taught in Los Angeles by some of the finest directors of photography in the world.
Qualifications
Industry Experience
Media & Entertainment
BBC Panorama - Boxing and the Mob (S69, Ep5)
BBC Panorama doc”Boxing annd the Mob” about Daniel Kinahan and his ties to International Boxing.
Cameraman for the Spanish portion of the shoot. Shot and lit all interviews conducted in Spain as well as all PTCs with Darragh MacIntyre and B-roll in Spain.…BBC Panorama doc”Boxing annd the Mob” about Daniel Kinahan and his ties to International Boxing.
Cameraman for the Spanish portion of the shoot. Shot and lit all interviews conducted in Spain as well as all PTCs with Darragh MacIntyre and B-roll in Spain.WW…
BBC Panorama - Boxing and the Mob (S69, Ep5)
A BBC Panorama doc about Daniel Kinahan and his ties to International Boxing.
Cameraman for the Spanish portion of the shoot. Shot and lit all interviews conducted in Spain as well as all PTCs with Darragh MacIntyre and B-roll in Spain.…A BBC Panorama doc about Daniel Kinahan and his ties to International Boxing.
Cameraman for the Spanish portion of the shoot. Shot and lit all interviews conducted in Spain as well as all PTCs with Darragh MacIntyre and B-roll in Spain.WWWWWWWW…
A Leader’s Legacy - Tun Abdul Razak
A biopic of Malaysia’s 2nd Prime Minister that was aired on National Geographic Channel Asia and Channel News Asia.
Shows here is a clip from the episode.…A biopic of Malaysia’s 2nd Prime Minister that was aired on National Geographic Channel Asia and Channel News Asia.
Shows here is a clip from the episode.WW…
Gemo TV Commercial featuring Gong Li (China)
Commercial for GEMO featuring Gong Li. We shot this just outside Paris using 2 Red Monstros, a Red Komodo (on a gimbal) and Cooke Panchro/i Classic FF lenses.
I love the Large Format look so chose to shoot this commercial using Red Monstros and as we have limited time with Gong Li, went with a 2 camera shoot. Moreover with the large VV sensor I can get a much shallower depth of field as that was the look that the director and I wanted for the Medium and Close Up shots. The Red Komodo was only for select gimbal shots. I chose Cooke Panchro/i Classic FF for the lovely focus fall-off, creamy bokeh and lovely skin tones with a slightly warm colour rendition. I’ve always been a big fan of the Cooke Look.
We had very limited time to shoot as we only had 2 days to shoot this commercial and we had to share Gong Li’s time with the still photography team that was shooting the scenes right after us. Moreover, I also had to share some of my large light fixtures with them so I could not re-light for the next scene/set-up while the stills team were shooting.
Overall, I am pretty pleased with the project however, the director and I wanted a more contrasty and shadowed look, which is how I lit the commercial. Alas, that’s the world of commercials where clients and agency (especially in Asia/China) always want to see their celebrity’s face fully lit so some shots were heavily lifted in the grade making Gong Li look a little flat in several shots. Shadows = shape & dimension!
Director: Yohan Ji
Executive Producers: Sun Zheng, Gao Fei, Wang Long
Producer: Bobby
Line Producer: Ai Vee Leong
Director’s Producer: Teresa Leong
1st AD: Jean Paul Allegre
DP & A-Cam Op: Eric Oh, CSC MYSC
B-Cam/Gimbal Op: Vladimir Milosevic
A-Cam 1st AC: Florent Stromboli
A-Cam 2nd AC: Theo Lagrange
B-Cam 1st AC: Kelly Pardels
B-Cam 2nd AC: Axel Roug
Gaffer: Felicien Forest
Key Grip: Vladimir Duranovic
Dolly Grip: Thibaut Guenois
Online: Wang Zeshang, :is Chu, Hao Cheng
3D: Liu Chu, Liu Fan-sen, Yang Shan
Colourist: Zhang Guangyao
Production Company: Seezee Culture
Camera, Grip & Lighting: Transpalux
Shot on location at Chateau de Champlatreux, France.
advert tvcommercial beauty lifestyle directorofphotography cinematographer…Commercial for GEMO featuring Gong Li. We shot this just outside Paris using 2 Red Monstros, a Red Komodo (on a gimbal) and Cooke Panchro/i Classic FF lenses.
I love the Large Format look so chose to shoot this commercial using Red Monstros and as we have limited time with Gong Li, went with a 2 camera shoot. Moreover with the large VV sensor I can get a much shallower depth of field as that was the look that the director and I wanted for the Medium and Close Up shots. The Red Komodo was only for select gimbal shots. I chose Cooke Panchro/i Classic FF for the lovely focus fall-off, creamy bokeh and lovely skin tones with a slightly warm colour rendition. I’ve always been a big fan of the Cooke Look.
We had very limited time to shoot as we only had 2 days to shoot this commercial and we had to share Gong Li’s time with the still photography team that was shooting the scenes right after us. Moreover, I also had to share some of my large light fixtures with them so I could not re-light for the next scene/set-up while the stills team were shooting.
Overall, I am pretty pleased with the project however, the director and I wanted a more contrasty and shadowed look, which is how I lit the commercial. Alas, that’s the world of commercials where clients and agency (especially in Asia/China) always want to see their celebrity’s face fully lit so some shots were heavily lifted in the grade making Gong Li look a little flat in several shots. Shadows = shape & dimension!
Director: Yohan Ji
Executive Producers: Sun Zheng, Gao Fei, Wang Long
Producer: Bobby
Line Producer: Ai Vee Leong
Director’s Producer: Teresa Leong
1st AD: Jean Paul Allegre
DP & A-Cam Op: Eric Oh, CSC MYSC
B-Cam/Gimbal Op: Vladimir Milosevic
A-Cam 1st AC: Florent Stromboli
A-Cam 2nd AC: Theo Lagrange
B-Cam 1st AC: Kelly Pardels
B-Cam 2nd AC: Axel Roug
Gaffer: Felicien Forest
Key Grip: Vladimir Duranovic
Dolly Grip: Thibaut Guenois
Online: Wang Zeshang, :is Chu, Hao Cheng
3D: Liu Chu, Liu Fan-sen, Yang Shan
Colourist: Zhang Guangyao
Production Company: Seezee Culture
Camera, Grip & Lighting: Transpalux
Shot on location at Chateau de Champlatreux, France.
advert tvcommercial beauty lifestyle directorofphotography cinematographerWW…
National Geographic Channel - Inside Isatana Negara
Part of the National Geographic channel INSIDE where they explore the inner workings. This episode focused on the inner workings of the National Royal Palace in Malaysia.
Shown here is just a clip from the complete episode.…Part of the National Geographic channel INSIDE where they explore the inner workings. This episode focused on the inner workings of the National Royal Palace in Malaysia.
Shown here is just a clip from the complete episode.WW…
Nesquik “Gafas” TV Commercial (Spain)
Nesquik commercial for TV and socials, shot in Barcelona, Spain.
Shot on Red Monstro with Sigma Cine Primes.
Director: Marc Gallifa
Cinematographer: Eric Oh, CSC MYSC
Production Company: La Cosa…Nesquik commercial for TV and socials, shot in Barcelona, Spain.
Shot on Red Monstro with Sigma Cine Primes.
Director: Marc Gallifa
Cinematographer: Eric Oh, CSC MYSC
Production Company: La CosaWW…
Lays “The Fun goes On & On” TV Commercial (Thailand)
Shot on location in Bangkok using Red Helium and Cooke 5/i lenses.
Director: Henry Ooi
Cinematographer: Eric Oh
Producer: Ping Ping
Production Company: 168 Productions
advert tvcommercial lifestyle directorofphotgraphy cinematographer…Shot on location in Bangkok using Red Helium and Cooke 5/i lenses.
Director: Henry Ooi
Cinematographer: Eric Oh
Producer: Ping Ping
Production Company: 168 Productions
advert tvcommercial lifestyle directorofphotgraphy cinematographerWW…
VP Bank “Diamond” TV Commercial (Vietnam)
This is a commercial for VP Bank in Vietnam. VP bank wanted to feature their real clients and this lady is a well reputed designer in Vietnam. We shot this in a location that art department flipped to resemble the store owner's shop in Hanoi.
For expediency, we shot this on 2 cameras, a RED Weapon Helium on a slider and a RED Epic-W on a Ronin 2. We used Zeiss superspeeds MKIII as the director and I like the organic, and slightly vintage look the lenses produced in addition to the slight softness that takes the edge off high-resoultion digital sensors.
Director: Jordan Quellman
Cinematographer: Eric Oh, csc
Production Designer: Jean Phan
Executive Producer: Malcolm Soh
Production Co.: Laughing Buddha
advert tvcomnmercial lifestyle directorofphotography cinematogrpaher…This is a commercial for VP Bank in Vietnam. VP bank wanted to feature their real clients and this lady is a well reputed designer in Vietnam. We shot this in a location that art department flipped to resemble the store owner's shop in Hanoi.
For expediency, we shot this on 2 cameras, a RED Weapon Helium on a slider and a RED Epic-W on a Ronin 2. We used Zeiss superspeeds MKIII as the director and I like the organic, and slightly vintage look the lenses produced in addition to the slight softness that takes the edge off high-resoultion digital sensors.
Director: Jordan Quellman
Cinematographer: Eric Oh, csc
Production Designer: Jean Phan
Executive Producer: Malcolm Soh
Production Co.: Laughing Buddha
advert tvcomnmercial lifestyle directorofphotography cinematogrpaherWW…
BMW “Kids” TV Commercial (China)
A commercial for BMW after-sales. My favourite of the series of 3 spots.
Caption reads... Unfortunate events may happen and we are not responsible for it. However, your warranty extension may save you from other disasters. Visit Us now! BMW.
Shot at 1000fps in Beijing, China on the Phantom Flex 4K using Cooke 5i lenses.
Director: Henry Ooi
Cinematographer: Eric Oh, CSC MYSC
Production Co.: Tidi Beijing in association with Playhouse Pictures.…A commercial for BMW after-sales. My favourite of the series of 3 spots.
Caption reads... Unfortunate events may happen and we are not responsible for it. However, your warranty extension may save you from other disasters. Visit Us now! BMW.
Shot at 1000fps in Beijing, China on the Phantom Flex 4K using Cooke 5i lenses.
Director: Henry Ooi
Cinematographer: Eric Oh, CSC MYSC
Production Co.: Tidi Beijing in association with Playhouse Pictures.WW…
BMW “Couple” TV Commercial (China)
A commercial for BMW after-sales. Caption reads... Unfortunate events may happen and we are not responsible for it. However, your warranty extension may save you from other disasters. Visit Us now! BMW.
Shot at 1000fps in Beijing, China on the Phantom Flex 4K using Cooke 5i lenses.
Director: Henry Ooi
Cinematographer: Eric Oh
Production Co.: Tidi Beijing in association with Playhouse Pictures.
advert tvcommercial bmw highspeed highframerate hfr slowmotion directorofphotography cinematographer…A commercial for BMW after-sales. Caption reads... Unfortunate events may happen and we are not responsible for it. However, your warranty extension may save you from other disasters. Visit Us now! BMW.
Shot at 1000fps in Beijing, China on the Phantom Flex 4K using Cooke 5i lenses.
Director: Henry Ooi
Cinematographer: Eric Oh
Production Co.: Tidi Beijing in association with Playhouse Pictures.
advert tvcommercial bmw highspeed highframerate hfr slowmotion directorofphotography cinematographerWW…
BMW “Aliens” TV Commercial (China)
A commercial for BMW after-sales. Caption reads... Unfortunate events may happen and we are not responsible for it. However, your warranty extension may save you from other disasters. Visit Us now! BMW.
We shot elements (miniature BMW, sparks, fire) and comped that in with the live action.
Shot at 1000fps on location in Beijing, China on the Phantom Flex 4K using Cooke 5i lenses.
advert tvcommercial bmw highspeed highframerate hfr slowmotion directorofphotography cinematographer
Director: Henry Ooi
Cinematographer: Eric Oh, CSC MYSC
Production Co.: Tidi Beijing in association with Playhouse Pictures.…A commercial for BMW after-sales. Caption reads... Unfortunate events may happen and we are not responsible for it. However, your warranty extension may save you from other disasters. Visit Us now! BMW.
We shot elements (miniature BMW, sparks, fire) and comped that in with the live action.
Shot at 1000fps on location in Beijing, China on the Phantom Flex 4K using Cooke 5i lenses.
advert tvcommercial bmw highspeed highframerate hfr slowmotion directorofphotography cinematographer
Director: Henry Ooi
Cinematographer: Eric Oh, CSC MYSC
Production Co.: Tidi Beijing in association with Playhouse Pictures.WW…
Infiniti Commercial (UAE)
Commercial for Inifiniti for the UAE.
Director: Henry Ooi
Cinematographer: Eric Oh, CSC MYSC
Shot on Red Epic with Cooke Mini S4/i lenses.…Commercial for Inifiniti for the UAE.
Director: Henry Ooi
Cinematographer: Eric Oh, CSC MYSC
Shot on Red Epic with Cooke Mini S4/i lenses.WW…
Hire Eric Oh today
To get started post up your job and then invite Eric Oh to your job.