As a seasoned Music Composer, Sound Designer and Mix Engineer with a profound passion for audio post-production in media, I bring a rich portfolio of work that resonates with the heart of storytelling. My expertise is showcased at ImageAudio (_Website not available. Sign in: https://www.twine.net/signup_), where I specialize in sound design, audio mixing, composing music and orchestrating sounds to create vivid mental images, enhancing the visual experience through captivating auditory elements. My experience with projects like "Queen Lili'uokalani" and "RELOOP" underlines my proficiency in translating narratives into immersive soundscapes. I am adept in Pro Tools, and my work often integrates sophisticated elements using Waves Plugins and Izotope Series, aligning perfectly with the technical requirements of your project. With a strong portfolio in diffent kind of media, I am keenly aware of the nuances of sound design that engage any audience, making me an ideal fit for your upcoming project or show. My ability to adhere to LUFS standards for broadcast and collaborate effectively with creative teams ensures that I can deliver audio aesthetics that are both engaging and standard-compliant. I am excited about the prospect of contributing to your team and am confident that my skills and experience will be a valuable asset to your exciting project.

gabrielimageaudio

5.0 (1 review)

As a seasoned Music Composer, Sound Designer and Mix Engineer with a profound passion for audio post-production in media, I bring a rich portfolio of work that resonates with the heart of storytelling. My expertise is showcased at ImageAudio (_Website not available. Sign in: https://www.twine.net/signup_), where I specialize in sound design, audio mixing, composing music and orchestrating sounds to create vivid mental images, enhancing the visual experience through captivating auditory elements. My experience with projects like "Queen Lili'uokalani" and "RELOOP" underlines my proficiency in translating narratives into immersive soundscapes. I am adept in Pro Tools, and my work often integrates sophisticated elements using Waves Plugins and Izotope Series, aligning perfectly with the technical requirements of your project. With a strong portfolio in diffent kind of media, I am keenly aware of the nuances of sound design that engage any audience, making me an ideal fit for your upcoming project or show. My ability to adhere to LUFS standards for broadcast and collaborate effectively with creative teams ensures that I can deliver audio aesthetics that are both engaging and standard-compliant. I am excited about the prospect of contributing to your team and am confident that my skills and experience will be a valuable asset to your exciting project.

Available to hire

As a seasoned Music Composer, Sound Designer and Mix Engineer with a profound passion for audio post-production in media, I bring a rich portfolio of work that resonates with the heart of storytelling. My expertise is showcased at ImageAudio (Website not available. Sign in: https://www.twine.net/signup), where I specialize in sound design, audio mixing, composing music and orchestrating sounds to create vivid mental images, enhancing the visual experience through captivating auditory elements.

My experience with projects like “Queen Lili’uokalani” and “RELOOP” underlines my proficiency in translating narratives into immersive soundscapes. I am adept in Pro Tools, and my work often integrates sophisticated elements using Waves Plugins and Izotope Series, aligning perfectly with the technical requirements of your project.

With a strong portfolio in diffent kind of media, I am keenly aware of the nuances of sound design that engage any audience, making me an ideal fit for your upcoming project or show. My ability to adhere to LUFS standards for broadcast and collaborate effectively with creative teams ensures that I can deliver audio aesthetics that are both engaging and standard-compliant.

I am excited about the prospect of contributing to your team and am confident that my skills and experience will be a valuable asset to your exciting project.

See more

Language

English
Fluent
Portuguese
Fluent
Spanish; Castilian
Advanced
German
Beginner

Work Experience

Add your work experience history here.

Education

Bachelor in Languages and Music at UFRGS
December 10, 2014
Sound Designer and Cinema Production at EBAC
December 20, 2024

Qualifications

Pro Tools
July 23, 2020
Adobe Premiere
November 16, 2021
Waves Plugins
July 13, 2021
Izotope (Repair and Mastering)
November 26, 2021
Plugin Alliance
May 12, 2022

Industry Experience

Media & Entertainment, Education
    uniE608 Soundtrack Composed for WestWorld HBO Competition
    The great @spitfireaudio and @hbo launched a competition for composers all over the world to create a piece of music for a 4 minutes scene of the third and new season of @westworldhbo HBO The third season of HBO's Westworld series featured a songwriter promotion. The team of none other than J.J.Abrams, Jonathan Nolan, Lisa Joy, and Ramin Djawadi were part of the judges. SPITFIRE AUDIO The great bridge between composers and HBO was this great audio company, which owns some of the best composer libraries. ​RAMIN DJAWADI Renowned film industry composer, Ramin Djawadi, composer of the Game of Thrones and Westworld tracks, was a special part of the judging team.
    uniE608 Experience the Earthly Pleasures of Teniers’ 17th-Century Wine Harvest
    Narrative Enhancement through Sound Design: Develop a rich tapestry of ambient sounds that reflect the 17th-century setting of Teniers' painting, thereby immersing viewers in the historical context. Employ Foley techniques to bring to life various elements of the painting, such as the sound of grapes being harvested, the clinking of wine glasses, and the subtle activities of the villagers. Ensure that the sound design complements Jim Carter's narration, enhancing the storytelling without overshadowing the narrative. Technical Audio Production: Utilize advanced audio editing tools, like Pro Tools, to ensure a clean, crisp, and balanced sound output. Implement high-quality mixing and mastering techniques, possibly using tools like Waves Plugins and Izotope Series, to achieve a polished final audio track. Pay careful attention to audio levels and clarity, ensuring that the narration, background music, and sound effects are harmoniously balanced. Collaborative Efforts with Production Team: Work closely with the video editors and producers to synchronize the audio elements with the visual narrative. Provide creative input on how sound and music can enhance the storytelling aspects of the video. Engage in iterative feedback and adjustments to align the audio precisely with the video's educational and artistic objectives. Quality Assurance and Accessibility: Monitor audio standards to ensure the content is accessible and enjoyable across various platforms and devices. Conduct thorough quality checks to guarantee that the audio complements the video effectively in different listening environments. video sounddesigner audioengineer
    uniE608 Looking after your new commercial LPG tank - Flogas
    In the "Safety First: A Humorous Guide with Flogas" project, my multifaceted role as a Sound Designer and Music Composer allowed me to create an auditory experience that perfectly complemented the video's educational yet humorous approach to safety. My Contributions: Sound Design: Crafted a unique blend of sounds that accentuated the comedic elements of the video while reinforcing the serious nature of safety instructions. Employed Foley techniques to add depth and realism, enhancing the effectiveness of the safety messages and ensuring that the humor was well-received. Paid special attention to audio standards, making the content accessible and engaging across various listening environments. Musical Curation: Selected a soundtrack that balanced the seriousness of safety with a playful tone, using a mix of upbeat and lighthearted tunes. This approach helped to maintain viewer engagement while effectively delivering important safety messages. Technical Execution: Leveraged my expertise in Pro Tools for detailed editing and mixing, ensuring that the audio quality met professional standards. Utilized Waves Plugins and Izotope Series to refine the sound, delivering a polished and high-quality final product. Collaboration and Creative Input: Worked closely with the production team to align the sound and music with the video's comedic timing and educational content. Contributed innovative audio ideas that boosted the project's engagement factor, making the safety instructions memorable and enjoyable for a diverse audience.
    uniE608 Epson Automotive
    In the project "Epson: Innovating the Future," I took on the role of Music Supervisor, orchestrating a dynamic and technologically resonant soundscape. My focus was on selecting and overseeing music that mirrored Epson's cutting-edge technology and innovation. I curated a blend of electronic and instrumental sounds to complement the high-tech visuals, ensuring the audio mirrored the modern and forward-thinking spirit of Epson. Collaborating with a skilled team, this project underscores my proficiency in aligning music with contemporary technological themes, creating an auditory experience that enhances and elevates the visual narrative of technological advancement. Sound Design: Created a rich tapestry of natural and synthetic sounds, capturing the essence of each featured environment. Utilized advanced Foley techniques to bring realism and depth to the audio, ensuring a seamless blend with the visual content. Focused on maintaining audio standards suitable for a wide range of listening environments, from headphones to home theater systems. Music Supervisor: Strategic Music Selection: Curating a soundtrack that resonated with Epson's innovative ethos, combining modern electronic with traditional instrumental pieces. Audio-Visual Synchronization: Ensuring the music complemented and enhanced the technological visuals, creating a cohesive and engaging narrative. Collaborative Efforts: Working closely with the production team to align the musical choices with the overall direction and message of the project, emphasizing Epson's cutting-edge advancements in technology. Technical Expertise: Leveraged Pro Tools for meticulous editing and mixing, showcasing my proficiency with this industry-standard software. Integrated Waves Plugins and Izotope Series to enhance and refine the audio, achieving a polished and professional output. Collaboration and Artistic Insight: Worked closely with the visual team to ensure a synchronized narrative between sound and image. Brought creative sound concepts to the table, enhancing the project's appeal to a diverse audience, including those interested in environmental awareness and nature exploration. video explainervideo sounddesigner musicsupervisor audioengineer mixer
    uniE608 The dark history of the overthrow of Hawaii - Sydney Iaukea
    In "The dark history of the overthrow of Hawaii - Sydney Iaukea" for TED-Ed I took on the integral roles of Sound Designer and Music Composer, orchestrating an auditory journey that explores the diverse soundscapes of our planet. This project, aimed at a broad audience and available on platforms like YouTube, was designed to immerse viewers in the unique sounds of different environments, from bustling cityscapes to tranquil nature scenes. My Contributions: Sound Design: Created a rich tapestry of natural and synthetic sounds, capturing the essence of each featured environment. Utilized advanced Foley techniques to bring realism and depth to the audio, ensuring a seamless blend with the visual content. Focused on maintaining audio standards suitable for a wide range of listening environments, from headphones to home theater systems. Music Composition: In the "Queen Lili'uokalani" project, my role as Composer and Sound Designer was pivotal in bringing the rich historical narrative to life. The music composition, titled "Lili's Pahu," centered around the traditional Hawaiian Pahu drum, symbolizing Queen Lili's heart and her connection with her people. This project involved a deep cultural immersion, where I utilized native percussive instruments and the Conch (Triton Shell) to represent the Hawaiian people and their bond with the queen. The narrative also highlighted the U.S. explorers' influence on Hawaii, depicted through instruments commonly associated with the U.S., such as the guitar. My focus was on creating a musical narrative that was emotionally rich and bespoke, fitting each part of the story. A notable example is the portrayal of Queen Lili's imprisonment, where a soft voice and ukulele were used to evoke feelings of isolation and love for her people. Technical Expertise: Leveraged Pro Tools for meticulous editing and mixing, showcasing my proficiency with this industry-standard software. Integrated Waves Plugins and Izotope Series to enhance and refine the audio, achieving a polished and professional output. Collaboration and Artistic Insight: Worked closely with the visual team to ensure a synchronized narrative between sound and image. Brought creative sound concepts to the table, enhancing the project's appeal to a diverse audience, including those interested in environmental awareness and nature exploration. video explainervideo sounddesigner audioengineer musiccomposer
    uniE608 Why your phone battery gets worse over time - George Zaidan
    In the project "Why your phone battery gets worse over time - George Zaidan" for TED-Ed I embraced the role of Sound Designer and Music Composer, bringing to life an engaging and educational narrative about the advancements in mobile technology over time. This project delves into the intricacies of how and why batteries degrade over time, offering a compelling blend of scientific information and everyday relevance. My Contributions: Sound Design: Crafted an immersive sound landscape that underscored the technological theme, using a blend of digital and organic sounds to reflect the evolution of mobile technology. Implemented Foley sound design techniques to give life to the on-screen animations, ensuring each movement and transition was sonically represented. Worked meticulously to ensure all audio met broadcast standards, with a particular focus on clarity and accessibility to a broad audience. Music Composition: Composed an original score that complemented the educational and engaging tone of the project. The music was tailored to enhance the narrative flow, subtly evolving as the video progressed through different technological eras. Utilized a mix of electronic and acoustic elements in the composition to mirror the blend of cutting-edge technology and its impact on everyday life. Ensured the music dynamically interacted with voice-over elements, enhancing the educational content without overpowering it. Technical Proficiency: Employed Pro Tools for the entire audio post-production process, leveraging its advanced features for precise editing and mixing. Integrated Waves Plugins and Izotope Series for sound enhancement and mastering, ensuring a polished and professional final product. Collaboration and Innovation: Collaborated closely with the animation team and directors to ensure a seamless audio-visual experience. Contributed creative ideas for sound motifs and musical themes that aligned with the project's educational goals. This project stands as a testament to my ability to blend technical skill with creative vision, delivering an auditory experience that not only informs but also captivates the audience. It reflects my dedication to excellence in sound design and music composition, particularly in projects that educate and engage viewers of all ages. Credits: Script Writes: George Zaidan Director: Luísa Holanda Narrator: George Zaidan Composer & Sound Designer: Gabriel A. Maia Art Director: Luísa Holanda Animator: Murilo Jardim Executive Creative Director: Logan Smalley Producer: Gerta Xhelo, Sazia Afrin Editorial Director: Alex Rosenthal Editorial Producer: Geoger Zaidan video sounddesign mixengineer musiccomposer