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Born in Buenos Aires, Argentina in 1994. I started my career in 2014 working independently in the movie La Calle de los Pianistas (2015) by Mariano Nante. Afterwards, during the year 2015 I joined the Cinecolor Digital editors team. Meanwhile I continued working on independent films as a freelancer such as Clementina (2017) by Jimena Monteoliva and Toda Esta Sangre en El Monte (2018) by Martin Cespedes. In addition to independent feature films, I also participated as an editor in different projects, such as the short film Luis by Rafael Federman and Paula Bugni or the reality show El Mentor, among others. After my experience in Cinecolor Digital, I continued as a freelancer in different projects, some of them standing out in the world of cinema such as the feature films Casi Leyendas (2017) by Gabriel Nesci and La Cordillera (2017) (Cannes - Un Certain Regard) by Santiago Mitre, having in charge different positions in the production and editorial departments. At the age of 23, in 2017 I started a position in the postproduction department of K&S Films. During my years in K&S Films, I worked as a postproduction assistant, editorial assistant, post-production coordinator, production assistant and editor. I was involved in several acclaimed feature films such as El Angel (Cannes - Un Certain Regard - 2018) by Luis Ortega, Acusada (La Biennale di Venezia - TIFF- 2018) by Gonzalo Tobal, El Pepe: Una Vida Suprema (Venezia - out of competition premiere / Netflix premiere -2018) by Emir Kusturica, La Odisea de los Giles (San Sebastián -2019) by Sebastián Borensztein, Mientras Dure La Guerra (San Sebastián - 2019) by Alejandro Amenabar, A Cielo Abierto (La Biennale di Venezia - TIFF - 2023) by Mariana Arriaga and Santiago Arriaga, and many other projects such as the restoration and remaster of Tiempo de Valientes (2005) by Damián Szifron. In 2021 the company released the first TV series produced for Netflix, El Reino, directed by Marcelo Piñeyro. I was involved in that project as a post-production coordinator in the 2 seasons and as an editor for the intro of the first season. I was also involved in the Prime Video show El Fin del Amor produced by K&S as a post-production coordinator, released in November 2022. In October 2023, after almost 7 years working for K&S Films, I decided to move forward and reach new goals. From November 2023 until August 2024 I was a producer, post production supervisor and co-editor in the first feature film of Mav Block, a young american director.…Born in Buenos Aires, Argentina in 1994. I started my career in 2014 working independently in the movie La Calle de los Pianistas (2015) by Mariano Nante. Afterwards, during the year 2015 I joined the Cinecolor Digital editors team. Meanwhile I continued working on independent films as a freelancer such as Clementina (2017) by Jimena Monteoliva and Toda Esta Sangre en El Monte (2018) by Martin Cespedes. In addition to independent feature films, I also participated as an editor in different projects, such as the short film Luis by Rafael Federman and Paula Bugni or the reality show El Mentor, among others. After my experience in Cinecolor Digital, I continued as a freelancer in different projects, some of them standing out in the world of cinema such as the feature films Casi Leyendas (2017) by Gabriel Nesci and La Cordillera (2017) (Cannes - Un Certain Regard) by Santiago Mitre, having in charge different positions in the production and editorial departments. At the age of 23, in 2017 I started a position in the postproduction department of K&S Films. During my years in K&S Films, I worked as a postproduction assistant, editorial assistant, post-production coordinator, production assistant and editor. I was involved in several acclaimed feature films such as El Angel (Cannes - Un Certain Regard - 2018) by Luis Ortega, Acusada (La Biennale di Venezia - TIFF- 2018) by Gonzalo Tobal, El Pepe: Una Vida Suprema (Venezia - out of competition premiere / Netflix premiere -2018) by Emir Kusturica, La Odisea de los Giles (San Sebastián -2019) by Sebastián Borensztein, Mientras Dure La Guerra (San Sebastián - 2019) by Alejandro Amenabar, A Cielo Abierto (La Biennale di Venezia - TIFF - 2023) by Mariana Arriaga and Santiago Arriaga, and many other projects such as the restoration and remaster of Tiempo de Valientes (2005) by Damián Szifron. In 2021 the company released the first TV series produced for Netflix, El Reino, directed by Marcelo Piñeyro. I was involved in that project as a post-production coordinator in the 2 seasons and as an editor for the intro of the first season. I was also involved in the Prime Video show El Fin del Amor produced by K&S as a post-production coordinator, released in November 2022. In October 2023, after almost 7 years working for K&S Films, I decided to move forward and reach new goals. From November 2023 until August 2024 I was a producer, post production supervisor and co-editor in the first feature film of Mav Block, a young american director.

mariaarrastoa

Video Editor, Post-Production, Illustrator, +2

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Born in Buenos Aires, Argentina in 1994. I started my career in 2014 working independently in the movie La Calle de los Pianistas (2015) by Mariano Nante. Afterwards, during the year 2015 I joined the Cinecolor Digital editors team. Meanwhile I continued working on independent films as a freelancer such as Clementina (2017) by Jimena Monteoliva and Toda Esta Sangre en El Monte (2018) by Martin Cespedes. In addition to independent feature films, I also participated as an editor in different projects, such as the short film Luis by Rafael Federman and Paula Bugni or the reality show El Mentor, among others. After my experience in Cinecolor Digital, I continued as a freelancer in different projects, some of them standing out in the world of cinema such as the feature films Casi Leyendas (2017) by Gabriel Nesci and La Cordillera (2017) (Cannes - Un Certain Regard) by Santiago Mitre, having in charge different positions in the production and editorial departments. At the age of 23, in 2017 I started a position in the postproduction department of K&S Films. During my years in K&S Films, I worked as a postproduction assistant, editorial assistant, post-production coordinator, production assistant and editor. I was involved in several acclaimed feature films such as El Angel (Cannes - Un Certain Regard - 2018) by Luis Ortega, Acusada (La Biennale di Venezia - TIFF- 2018) by Gonzalo Tobal, El Pepe: Una Vida Suprema (Venezia - out of competition premiere / Netflix premiere -2018) by Emir Kusturica, La Odisea de los Giles (San Sebastián -2019) by Sebastián Borensztein, Mientras Dure La Guerra (San Sebastián - 2019) by Alejandro Amenabar, A Cielo Abierto (La Biennale di Venezia - TIFF - 2023) by Mariana Arriaga and Santiago Arriaga, and many other projects such as the restoration and remaster of Tiempo de Valientes (2005) by Damián Szifron. In 2021 the company released the first TV series produced for Netflix, El Reino, directed by Marcelo Piñeyro. I was involved in that project as a post-production coordinator in the 2 seasons and as an editor for the intro of the first season. I was also involved in the Prime Video show El Fin del Amor produced by K&S as a post-production coordinator, released in November 2022. In October 2023, after almost 7 years working for K&S Films, I decided to move forward and reach new goals. From November 2023 until August 2024 I was a producer, post production supervisor and co-editor in the first feature film of Mav Block, a young american director.…Born in Buenos Aires, Argentina in 1994. I started my career in 2014 working independently in the movie La Calle de los Pianistas (2015) by Mariano Nante. Afterwards, during the year 2015 I joined the Cinecolor Digital editors team. Meanwhile I continued working on independent films as a freelancer such as Clementina (2017) by Jimena Monteoliva and Toda Esta Sangre en El Monte (2018) by Martin Cespedes. In addition to independent feature films, I also participated as an editor in different projects, such as the short film Luis by Rafael Federman and Paula Bugni or the reality show El Mentor, among others. After my experience in Cinecolor Digital, I continued as a freelancer in different projects, some of them standing out in the world of cinema such as the feature films Casi Leyendas (2017) by Gabriel Nesci and La Cordillera (2017) (Cannes - Un Certain Regard) by Santiago Mitre, having in charge different positions in the production and editorial departments. At the age of 23, in 2017 I started a position in the postproduction department of K&S Films. During my years in K&S Films, I worked as a postproduction assistant, editorial assistant, post-production coordinator, production assistant and editor. I was involved in several acclaimed feature films such as El Angel (Cannes - Un Certain Regard - 2018) by Luis Ortega, Acusada (La Biennale di Venezia - TIFF- 2018) by Gonzalo Tobal, El Pepe: Una Vida Suprema (Venezia - out of competition premiere / Netflix premiere -2018) by Emir Kusturica, La Odisea de los Giles (San Sebastián -2019) by Sebastián Borensztein, Mientras Dure La Guerra (San Sebastián - 2019) by Alejandro Amenabar, A Cielo Abierto (La Biennale di Venezia - TIFF - 2023) by Mariana Arriaga and Santiago Arriaga, and many other projects such as the restoration and remaster of Tiempo de Valientes (2005) by Damián Szifron. In 2021 the company released the first TV series produced for Netflix, El Reino, directed by Marcelo Piñeyro. I was involved in that project as a post-production coordinator in the 2 seasons and as an editor for the intro of the first season. I was also involved in the Prime Video show El Fin del Amor produced by K&S as a post-production coordinator, released in November 2022. In October 2023, after almost 7 years working for K&S Films, I decided to move forward and reach new goals. From November 2023 until August 2024 I was a producer, post production supervisor and co-editor in the first feature film of Mav Block, a young american director.

Available to hire

Born in Buenos Aires, Argentina in 1994. I started my career in 2014 working independently in the movie La Calle de los Pianistas (2015) by Mariano Nante. Afterwards, during the year 2015 I joined the Cinecolor Digital editors team. Meanwhile I continued working on independent films as a freelancer such as Clementina (2017) by Jimena Monteoliva and Toda Esta Sangre en El Monte (2018) by Martin Cespedes. In addition to independent feature films, I also participated as an editor in different projects, such as the short film Luis by Rafael Federman and Paula Bugni or the reality show El Mentor, among others. After my experience in Cinecolor Digital, I continued as a freelancer in different projects, some of them standing out in the world of cinema such as the feature films Casi Leyendas (2017) by Gabriel Nesci and La Cordillera (2017) (Cannes - Un Certain Regard) by Santiago Mitre, having in charge different positions in the production and editorial departments. At the age of 23, in 2017 I started a position in the postproduction department of K&S Films.

During my years in K&S Films, I worked as a postproduction assistant, editorial assistant, post-production coordinator, production assistant and editor. I was involved in several acclaimed feature films such as El Angel (Cannes - Un Certain Regard - 2018) by Luis Ortega, Acusada (La Biennale di Venezia - TIFF- 2018) by Gonzalo Tobal, El Pepe: Una Vida Suprema (Venezia - out of competition premiere / Netflix premiere -2018) by Emir Kusturica, La Odisea de los Giles (San Sebastián -2019) by Sebastián Borensztein, Mientras Dure La Guerra (San Sebastián - 2019) by Alejandro Amenabar, A Cielo Abierto (La Biennale di Venezia - TIFF - 2023) by Mariana Arriaga and Santiago Arriaga, and many other projects such as the restoration and remaster of Tiempo de Valientes (2005) by Damián Szifron.

In 2021 the company released the first TV series produced for Netflix, El Reino, directed by Marcelo Piñeyro. I was involved in that project as a post-production coordinator in the 2 seasons and as an editor for the intro of the first season. I was also involved in the Prime Video show El Fin del Amor produced by K&S as a post-production coordinator, released in November 2022.

In October 2023, after almost 7 years working for K&S Films, I decided to move forward and reach new goals. From November 2023 until August 2024 I was a producer, post production supervisor and co-editor in the first feature film of Mav Block, a young american director.