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I'm Ollie Quinn, nice to meet you! If you need an editor, colourist or sound editor for your project - however big or small it may be - you're in the right place! _Website not available. Sign in: https://www.twine.net/signup_ Having worked in post-production for 3 years on over 20 short films, exhibition pieces, experimental films, fine art pieces and documentaries, I more than understand the need for high quality, refined and tasteful editing. No project is too big or small, and everyone deserves the best delivery on work they have committed time to recording. I specialise in narrative based editing, however my skillset within the Adobe suite, AVID and DaVinci allow me to be fluid with what I can accomplish. I am open to editing all forms of content, whether that be shorts, YouTube, short films, fine art pieces, weddings..etc. I am keen to make something that works for you, and can aid in diversifying my portfolio. To get a taste of what experience I have, check out my showreel. Take care, and hope to cut for you soon! Ollie Quinn --- Portfolio: - The End (2022, Dir. Alvin Jai) - Editor - Crossword (2023, Dir. Freya Newland) – Editor - By Morning, I’ll Be Gone (2023, Dir. Molly Hoque) – Script Supervisor, D.I.T, Sound Editor - Calm in the Thunder (2023, Dir. Luke Hancock) – Colourist - Take Me Home (2023, Dir. Fred Gowers) – Sound Editor - Our Gypsy Blood (2023, Dir. Jacob Parvin) – Assistant Editor, Script Supervisor, D.I.T - Ripples (2023, Dir. Duke Tsui) - Script Supervisor, D.I.T, Sound Editor - Prelude to an End (2023, Dir. Bahar Bay) - Script Supervisor, D.I.T - Luminarix Probe Lens Showcase – Craniotomy (2023, Dir. Toby Norman) – Editor, Assistant Colourist - Breaking Point (2023, Dir. Kai-Lennon Ingram) – Editor - Festive Digestive (2023, Dir. Marcus Gerrard) – Script Supervisor - Baz and Biscuit (2023, Dir. Luke Hancock) – Sound Editor - Experiments of Colour and Substance (2024, Dir. Finlay Miller) – Editor, - Colourist, Script Supervisor, D.I.T - Lily of the Valley (2024, Dir. Jade Kemble) – Sound Editor - Fair Winds and Following Seas (2024, Dir. Maya Abdel Naby) – Sound Editor…I'm Ollie Quinn, nice to meet you! If you need an editor, colourist or sound editor for your project - however big or small it may be - you're in the right place! _Website not available. Sign in: https://www.twine.net/signup_ Having worked in post-production for 3 years on over 20 short films, exhibition pieces, experimental films, fine art pieces and documentaries, I more than understand the need for high quality, refined and tasteful editing. No project is too big or small, and everyone deserves the best delivery on work they have committed time to recording. I specialise in narrative based editing, however my skillset within the Adobe suite, AVID and DaVinci allow me to be fluid with what I can accomplish. I am open to editing all forms of content, whether that be shorts, YouTube, short films, fine art pieces, weddings..etc. I am keen to make something that works for you, and can aid in diversifying my portfolio. To get a taste of what experience I have, check out my showreel. Take care, and hope to cut for you soon! Ollie Quinn --- Portfolio: - The End (2022, Dir. Alvin Jai) - Editor - Crossword (2023, Dir. Freya Newland) – Editor - By Morning, I’ll Be Gone (2023, Dir. Molly Hoque) – Script Supervisor, D.I.T, Sound Editor - Calm in the Thunder (2023, Dir. Luke Hancock) – Colourist - Take Me Home (2023, Dir. Fred Gowers) – Sound Editor - Our Gypsy Blood (2023, Dir. Jacob Parvin) – Assistant Editor, Script Supervisor, D.I.T - Ripples (2023, Dir. Duke Tsui) - Script Supervisor, D.I.T, Sound Editor - Prelude to an End (2023, Dir. Bahar Bay) - Script Supervisor, D.I.T - Luminarix Probe Lens Showcase – Craniotomy (2023, Dir. Toby Norman) – Editor, Assistant Colourist - Breaking Point (2023, Dir. Kai-Lennon Ingram) – Editor - Festive Digestive (2023, Dir. Marcus Gerrard) – Script Supervisor - Baz and Biscuit (2023, Dir. Luke Hancock) – Sound Editor - Experiments of Colour and Substance (2024, Dir. Finlay Miller) – Editor, - Colourist, Script Supervisor, D.I.T - Lily of the Valley (2024, Dir. Jade Kemble) – Sound Editor - Fair Winds and Following Seas (2024, Dir. Maya Abdel Naby) – Sound Editor

olliequinnpost

Post-Production, Video Editor, Colourist, +2

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I'm Ollie Quinn, nice to meet you! If you need an editor, colourist or sound editor for your project - however big or small it may be - you're in the right place! _Website not available. Sign in: https://www.twine.net/signup_ Having worked in post-production for 3 years on over 20 short films, exhibition pieces, experimental films, fine art pieces and documentaries, I more than understand the need for high quality, refined and tasteful editing. No project is too big or small, and everyone deserves the best delivery on work they have committed time to recording. I specialise in narrative based editing, however my skillset within the Adobe suite, AVID and DaVinci allow me to be fluid with what I can accomplish. I am open to editing all forms of content, whether that be shorts, YouTube, short films, fine art pieces, weddings..etc. I am keen to make something that works for you, and can aid in diversifying my portfolio. To get a taste of what experience I have, check out my showreel. Take care, and hope to cut for you soon! Ollie Quinn --- Portfolio: - The End (2022, Dir. Alvin Jai) - Editor - Crossword (2023, Dir. Freya Newland) – Editor - By Morning, I’ll Be Gone (2023, Dir. Molly Hoque) – Script Supervisor, D.I.T, Sound Editor - Calm in the Thunder (2023, Dir. Luke Hancock) – Colourist - Take Me Home (2023, Dir. Fred Gowers) – Sound Editor - Our Gypsy Blood (2023, Dir. Jacob Parvin) – Assistant Editor, Script Supervisor, D.I.T - Ripples (2023, Dir. Duke Tsui) - Script Supervisor, D.I.T, Sound Editor - Prelude to an End (2023, Dir. Bahar Bay) - Script Supervisor, D.I.T - Luminarix Probe Lens Showcase – Craniotomy (2023, Dir. Toby Norman) – Editor, Assistant Colourist - Breaking Point (2023, Dir. Kai-Lennon Ingram) – Editor - Festive Digestive (2023, Dir. Marcus Gerrard) – Script Supervisor - Baz and Biscuit (2023, Dir. Luke Hancock) – Sound Editor - Experiments of Colour and Substance (2024, Dir. Finlay Miller) – Editor, - Colourist, Script Supervisor, D.I.T - Lily of the Valley (2024, Dir. Jade Kemble) – Sound Editor - Fair Winds and Following Seas (2024, Dir. Maya Abdel Naby) – Sound Editor…I'm Ollie Quinn, nice to meet you! If you need an editor, colourist or sound editor for your project - however big or small it may be - you're in the right place! _Website not available. Sign in: https://www.twine.net/signup_ Having worked in post-production for 3 years on over 20 short films, exhibition pieces, experimental films, fine art pieces and documentaries, I more than understand the need for high quality, refined and tasteful editing. No project is too big or small, and everyone deserves the best delivery on work they have committed time to recording. I specialise in narrative based editing, however my skillset within the Adobe suite, AVID and DaVinci allow me to be fluid with what I can accomplish. I am open to editing all forms of content, whether that be shorts, YouTube, short films, fine art pieces, weddings..etc. I am keen to make something that works for you, and can aid in diversifying my portfolio. To get a taste of what experience I have, check out my showreel. Take care, and hope to cut for you soon! Ollie Quinn --- Portfolio: - The End (2022, Dir. Alvin Jai) - Editor - Crossword (2023, Dir. Freya Newland) – Editor - By Morning, I’ll Be Gone (2023, Dir. Molly Hoque) – Script Supervisor, D.I.T, Sound Editor - Calm in the Thunder (2023, Dir. Luke Hancock) – Colourist - Take Me Home (2023, Dir. Fred Gowers) – Sound Editor - Our Gypsy Blood (2023, Dir. Jacob Parvin) – Assistant Editor, Script Supervisor, D.I.T - Ripples (2023, Dir. Duke Tsui) - Script Supervisor, D.I.T, Sound Editor - Prelude to an End (2023, Dir. Bahar Bay) - Script Supervisor, D.I.T - Luminarix Probe Lens Showcase – Craniotomy (2023, Dir. Toby Norman) – Editor, Assistant Colourist - Breaking Point (2023, Dir. Kai-Lennon Ingram) – Editor - Festive Digestive (2023, Dir. Marcus Gerrard) – Script Supervisor - Baz and Biscuit (2023, Dir. Luke Hancock) – Sound Editor - Experiments of Colour and Substance (2024, Dir. Finlay Miller) – Editor, - Colourist, Script Supervisor, D.I.T - Lily of the Valley (2024, Dir. Jade Kemble) – Sound Editor - Fair Winds and Following Seas (2024, Dir. Maya Abdel Naby) – Sound Editor

Available to hire

I’m Ollie Quinn, nice to meet you! If you need an editor, colourist or sound editor for your project - however big or small it may be - you’re in the right place!

Website not available. Sign in: https://www.twine.net/signup

Having worked in post-production for 3 years on over 20 short films, exhibition pieces, experimental films, fine art pieces and documentaries, I more than understand the need for high quality, refined and tasteful editing. No project is too big or small, and everyone deserves the best delivery on work they have committed time to recording.

I specialise in narrative based editing, however my skillset within the Adobe suite, AVID and DaVinci allow me to be fluid with what I can accomplish. I am open to editing all forms of content, whether that be shorts, YouTube, short films, fine art pieces, weddings…etc. I am keen to make something that works for you, and can aid in diversifying my portfolio.

To get a taste of what experience I have, check out my showreel.

Take care, and hope to cut for you soon!

Ollie Quinn

Portfolio:

The End (2022, Dir. Alvin Jai) - Editor
Crossword (2023, Dir. Freya Newland) – Editor
By Morning, I’ll Be Gone (2023, Dir. Molly Hoque) – Script Supervisor, D.I.T, Sound Editor
Calm in the Thunder (2023, Dir. Luke Hancock) – Colourist
Take Me Home (2023, Dir. Fred Gowers) – Sound Editor
Our Gypsy Blood (2023, Dir. Jacob Parvin) – Assistant Editor, Script Supervisor, D.I.T
Ripples (2023, Dir. Duke Tsui) - Script Supervisor, D.I.T, Sound Editor
Prelude to an End (2023, Dir. Bahar Bay) - Script Supervisor, D.I.T
Luminarix Probe Lens Showcase – Craniotomy (2023, Dir. Toby Norman) – Editor, Assistant Colourist
Breaking Point (2023, Dir. Kai-Lennon Ingram) – Editor
Festive Digestive (2023, Dir. Marcus Gerrard) – Script Supervisor
Baz and Biscuit (2023, Dir. Luke Hancock) – Sound Editor
Experiments of Colour and Substance (2024, Dir. Finlay Miller) – Editor, - Colourist, Script Supervisor, D.I.T
Lily of the Valley (2024, Dir. Jade Kemble) – Sound Editor
Fair Winds and Following Seas (2024, Dir. Maya Abdel Naby) – Sound Editor