I'm a Sound Designer and Media Composer from Montréal, Canada. As you will see from my resume, my training is related to music, its production and I have about 3 years of experience as a sound designer where I was able to integrate my academic background. On my previous work, I was a sound designer for an external audio provider for video games, Vibe Avenue, which SIDE Global eventually acquired. My role could be summarized as follows: I had to produce quality audio or music for the projects I was working on with softwares such as Reaper and Izotope RX suite, through recordings, libraries and synthesis; integrate the audio produced into the game audio systems used by our clients, as well as set up the systems, if necessary, using middlewares such as Wwise or FMOD and game engines such as Unreal Engine 5 or Unity; maintain strong communication with the various stakeholders to remain flexible regarding what is needed; ensure solid quality control and a peer-reviewed mix, or participate in the review if it was that of a colleague. In my case, specifically, I was also responsible for the technical side and logistics of the majority of vocal recordings as well as Foley sessions and I had to carry out their post-production afterwards. Indirectly, I was therefore able get an introduction to the direction of sessions, the casting of voice actors and the management of acoustics. --- **Employment and project experience** **Audio Designer** Vibe Avenue, SIDE Global _September 2021 - May 2024_ **L'Odyssée musicale du jeu vidéo 2018** Orchestral composition contest _2018_…I'm a Sound Designer and Media Composer from Montréal, Canada. As you will see from my resume, my training is related to music, its production and I have about 3 years of experience as a sound designer where I was able to integrate my academic background. On my previous work, I was a sound designer for an external audio provider for video games, Vibe Avenue, which SIDE Global eventually acquired. My role could be summarized as follows: I had to produce quality audio or music for the projects I was working on with softwares such as Reaper and Izotope RX suite, through recordings, libraries and synthesis; integrate the audio produced into the game audio systems used by our clients, as well as set up the systems, if necessary, using middlewares such as Wwise or FMOD and game engines such as Unreal Engine 5 or Unity; maintain strong communication with the various stakeholders to remain flexible regarding what is needed; ensure solid quality control and a peer-reviewed mix, or participate in the review if it was that of a colleague. In my case, specifically, I was also responsible for the technical side and logistics of the majority of vocal recordings as well as Foley sessions and I had to carry out their post-production afterwards. Indirectly, I was therefore able get an introduction to the direction of sessions, the casting of voice actors and the management of acoustics. --- **Employment and project experience** **Audio Designer** Vibe Avenue, SIDE Global _September 2021 - May 2024_ **L'Odyssée musicale du jeu vidéo 2018** Orchestral composition contest _2018_WWWW…