Since 2004, Ryan edited, designed motion graphics, and color graded projects for PBS, History, Animal Planet, the National Park Service, and others. His editing credits include PBS specials *The Bomb* and *Pearl Harbor: USS Oklahoma — The Final Story*; several episodes of science series NOVA, including "Secrets in Your Data", “Decoding COVID-19” (Columbia-duPont award winner), and “Black Hole Apocalypse”; the America’s Hidden Stories series and documentary feature *The Rivals* (dir. Kirk Wolfinger) for The Smithsonian Channel; *Titanic: 100 Years in 3D*, *Tougher in Alaska*, and *Deep Sea Detectives* for History; and *Ice Cold Gold* for Animal Planet. In collaboration with Woods Hole Oceanographic Institution and Marine Imaging Technologies, Ryan joined several expeditions as workflow consultant, DIT, and on-site editor. His travels have taken him to the Titanic wreck site, New Zealand, Papua New Guinea, the Solomon Islands, the Galapagos Islands, and the Sea of Cortez.…Since 2004, Ryan edited, designed motion graphics, and color graded projects for PBS, History, Animal Planet, the National Park Service, and others. His editing credits include PBS specials *The Bomb* and *Pearl Harbor: USS Oklahoma — The Final Story*; several episodes of science series NOVA, including "Secrets in Your Data", “Decoding COVID-19” (Columbia-duPont award winner), and “Black Hole Apocalypse”; the America’s Hidden Stories series and documentary feature *The Rivals* (dir. Kirk Wolfinger) for The Smithsonian Channel; *Titanic: 100 Years in 3D*, *Tougher in Alaska*, and *Deep Sea Detectives* for History; and *Ice Cold Gold* for Animal Planet. In collaboration with Woods Hole Oceanographic Institution and Marine Imaging Technologies, Ryan joined several expeditions as workflow consultant, DIT, and on-site editor. His travels have taken him to the Titanic wreck site, New Zealand, Papua New Guinea, the Solomon Islands, the Galapagos Islands, and the Sea of Cortez.WWWW…