Available to hire
Composer/librettist Rachel J. Peters writes operas that sound like musicals and musicals that sound like operas.
Career highlights to date include:
Lesson Plan (On Site Opera/Caramoor)
Sketchbook for Ollie (Lyric Opera of Kansas City)
Companionship (Fort Worth Opera/Virginia Arts Festival)
The Wild Beast of the Bungalow (Oberlin Conservatory)
No Ladies in the Lady’s Book (Utah Opera)
Rootabaga Country (Sarasota Opera)
Staggerwing (Opera Kansas)
If You Can Prove That I Should Set You Free (Albany Symphony)
Ethel Smyth Plays Golf in Limbo (Semperoper Dresden)
Stretch (a fantasia) (New Georges)
Skills
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Experience Level
Freelance Gig
Expert
Squarespace
Expert
YouTube
Expert
Microsoft Office
Expert
Finale
Expert
Facebook
Expert
Instagram
Expert
Language
German
Beginner
Italian
Beginner
Education
Double B.A. summa cum laude, Music and Theater Arts at Brandeis University
May 31, 1999MFA, Musical Theatre Writing at NYU Tisch School of the Arts
May 12, 2005Qualifications
OPERA America Female Composer Discovery Grant 2022
June 30, 2023No Ladies in the Lady's Book libretto published by E.C.Schirmer
December 31, 2019Millay Arts Reisdency
December 2, 2022Yaddo Residency
February 2, 2018New Dramatists Composer-Librettist Studio Fellowship
February 28, 2010American Opera Project Composers and the Voice Fellowship
August 31, 2012John Duffy Institute for New Opera Fellowship
May 10, 2013 - March 31, 2019Industry Experience
Media & Entertainment, Education
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